“Exacto exceso: A propósito de Nelly Richard” [Exact Excess: On Nelly Richard]

2022
Introduction to Alejandra Castillo, Nelly Richard and Miguel Valderrama (Eds.) Crítica y Política: Conversaciones con Nelly Richard (Second Edition)
Santiago de Chile, Chile
Editorial Palinodia, Chile
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“Nathalie Goffard, o un paisaje parecido a uno mismo” [Nathalie Goffard or a landscape almost resembling oneself]

2019
Epilogue In: Nathalie Goffard Bascuñan (Ed.) Intramuros. Palimpsestos sobre arte y paisaje Editorial Metales Pesados
Santiago de Chile, Chile
[In Spanish]
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“The Temptation of Eden: Landscape Architecture in the Andean Region Nowadays, a Portfolio”

October 2017-April 2018
With Javiera Infante (PUCP-Lima) In: José Luis Falconi (Ed.) Cuadernos Inter.cambio sobre Centroamérica y el Caribe
Universidad de Costa Rica Vol. 15. N. 2. Special Section
San José, Costa Rica
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“No Me Token; or, How to Make Sure We Never Lose the * Completely”

October 2013
In: Guggenheim Museum UBS MAP Global Initiative
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Stitched by Fire: The Thread of Sparks of Santiago Escobar Jaramillo’s Colombia, Tierra de Luz”

January-June 2012
In: Antípoda14: Antropología y temporalidad; Antípoda- Revista de Antropología y Arqueología
Universidad de Los Andes, Facultad de Ciencias Sociales, Departamento de Antropología. No 14, pp. 233-243
Bogotá, Colombia
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“Tractable Times-Afterword”

2006
In: José Luis Falconi and Gabriela Rangel (Eds.) A Principality of its Own
David Rockefeller Center for Latin American Studies and Harvard University Press
Cambridge, MA
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“The Political Economy of Latin America: New Visions”

June, 2020 - May 2021
With James A. Robinson.
For the: World Bank’s Latin America Vision 2040 project
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“Contra-Memoria: Entre el recuerdo y la historia oficial. Una conversación con José Guillermo Nugent” [Counter Memory: Between Remembrance and Official History. A conversation with José Guillermo Nugent]

August 2019
In: [cuatro treintatrés] Journal Universidad de Chile, Facultad de Artes, Departamento de Artes Visuales. No 02
Santiago de Chile, Chile
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“What is the Use of Calling Antanas Mockus an Artist?”

2017
In: Carlo Tognato (Ed.) Cultural Agents Reloaded: The Legacy of Antanas Mockus
Harvard University Press/Cultural Agents Initiative, Harvard University
Cambridge, MA
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“No Me Token; or, How to Make Sure We Never Lose the * Completely”
[Reprinted in English to be included in: A Companion to Modern and Contemporary Latin American and Latino Art

2021
Leonardo Anreus, Robin Greeley and Megan Sullivan
Wiley-Blackwell, Boston, MA
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“(What about) The Other Latinos? (Introduction)”

August 2007
In collaboration with José Antonio Mazzotti. In: José Luis Falconi and José Antonio Mazzotti (Eds.)
The Other Latinos David Rockefeller Center for Latin American Studies, Harvard University Press
Cambridge, MA
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“Repairing Symbolic Reparations: Assessing the Effectiveness of Aesthetic Memorialization in the Inter-American System of Human Rights”

March 2020
Contributor with Robin Greeley, Michael Orwicz, Ana Maria Reyes and Fernando Rosenberg
The International Journal of Transitional Justice
Volume 14. Issue 1, March 2020
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Introduction to Robin Greeley (Ed.) La Interculturalidad y sus imaginarios: Conversaciones con Néstor García Canclini

2018
Gedisa (Spain), ArtLifeLaboratory and Palinodia (Chile), pp. 5-10
Mexico City, Madrid, Boston and Santiago de Chile
[In Spanish]
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“Historiographical Tai Chi (The Game)”

2014
In: Janet Dees, Irene Hoffman, Candice Hopkins, and Lucia San Román (Eds.) Unsettled Landscapes; SITElines. 2014 New Perspectives on Art of the Americas
Site Santa Fe
Santa Fe, New Mexico
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“No Me Token; o Cómo Asegurarnos a nunca perder el * por completo”

2014
In Kaypunku. Vol. 1.
Universidad San Marcos
Lima, Perú
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“El orden, las órdenes de Ollanta Humala” [The order, the orders of Ollanta Humala]

June 2006
In collaboration with Martín Oyata. In: Revuelta. N.3
Universidad de las Américas
Puebla, Mexico
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